Tu mewn
Unpainted rendered walls and extensive ashlar dressings and much carved work. Tower entry has timber ceiling with large ribs on pierced timber brackets from fine carved crouching beast corbels. Ribs have applied leaf carving as on nave roof trusses. Pointed doors N and S with moulded arches and hoods with very large carved head stops. Small S door to tower stair.
Nave has 5-bay arcades of octofoil-section piers with keels to diagonal shafts, naturalistic leaf-capitals, 2 with tiny heads appearing, moulded pointed arches with chamfer each side of hollow with ballflower. Cornice under shafted cinquefoil-cusped clerestorey windows. Ashlar moulded wall-plate, 6 angel corbels each side carrying wall-posts and cusped arched braces with traceried spandrels to big tie-beam trusses with king-posts and two opposed curving struts each side. Ornate carved leaf-work on moulded tie-beams at joint with brackets. Roof is panelled with horizontal strips. Aisle roofs have similar panels and straight braces out from corbels between arcade arches, with cusped spandrels. Coloured tile floors. Chancel arch is multi-shafted with leaf capitals, and moulded pointed arch. Cinquefoil light in gable apex. Nave W end has chamfered pointed arch enclosing shafted tower arch with leaf capitals and moulded arch. Chancel roof is boarded and panelled, with carved bosses. Ornate ashlar cornice broken forward over ornate leaf corbels. Three N windows have column shafts, hoods and winged cherub head stops. Similar S window. Broad shafted arch on S side of chancel and narrower arch at E end of S aisle open onto organ on ornate Caen stone organ loft with pointed doors and small windows to ground floor and Gothic stone loft rail with carved heads. Vestries beneath organ loft, with stone winding stair to loft in SW corner. Chancel has fine marble floors and steps of 1894 in green, red, white and grey marbles. One step to chancel, 2 to sanctuary, one to altar. Mosaic floor to sanctuary. Red sandstone shafts to aumbry on N side and triple sedilia on S, with carved capitals and flat heads.
Fittings: 1860 Caen stone panelled font in S aisle with chamfered corners and openwork shaft. !894 Italian marble carved angel carrying shell by W door. Caen stone ornate pulpit of 1860 with 6 statues of saints under canopies at angles, pendants beneath, and winding timber stairs with iron and brass rail Ornate 3-sided Caen stone reading desk dated 1860 with open ogee arched sides with carved spandrels and column shafts, carving repeated even on inside. Tower screen of 1920, blind Gothic panelling with vine cornice under cove, traceried glazing above in arch. Organ by W.G. Vowles of Bristol, 1866 with painted pipes. Reredos of 1894 ashlar with red marble column shafts, big centre gable flanked by ogee-canopied statues of SS Peter and Paul, surmounted by large pinnacles, gold mosaic centre panel with Lamb of God motif, 4-bay Gothic arcade each side with green marble infill to panels, and marble facing to wall below. Chancel stalls with poppy-head bench ends. Pine pews elsewhere. NE Lady chapel screen, altar and panelling c. 1950 with blue terrazzo bench and terrazzo floor. Two W end statues in canopied niches, SS Peter and Paul. At nave NW corner is vestry screen made up of finely traceried openwork late Gothic-style timber formerly part of the organ case at All Saints Church, probably c.1900-10. A cove on E side has carved bosses and shield.
Stained Glass.E window 1894 or c. 1907 scenes of Passion and Crucifixion to W. Parsons and family, rich colours, by R.J. Newbery. Chancel N first window, SS Elizabeth of Hungary & Luke to Dr W.O. Evans c. 1966, similar to second window to Mona Evans signed Eric Dilworth of Twickenham 1966, SS Anne and Agatha. Chancel N third window c. 1900 to children of Dr W.O. Evans, by A.L. Moore. Chancel S window to Mary Edmunds, 1954, by Celtic Studios, Christ and Mary Magdalen. N aisle second 1922 by Kempe & Co, SS Teilo, David & Ciwg; N aisle fourth, 1885, C14 style figures Christ with SS Peter and Mary, given by Griffith Lewis. N aisle fifth 1968 Christ stilling tempest to S. Lewis. N aisle E to Diana Lewis (d 1955) by Celtic Studios, Annunciation. S aisle third window to Eliza Gilbertson (d 1868) in style of Clayton & Bell or Hardman, Resurrection; S aisle fourth, Christ at Bethany, with S Luke and Mary of Bethany, to Dr G. Griffiths (d 1915) by A.L. Moore; S aisle fifth Nunc Dimittis 1921 by Kempe & Co to Lewis Lewis.
Memorials: Gothic marble plaque of 1907 to William Parsons 1795-1864, the donor.