Interior
Continuous nave and chancel to S, and N aisle with vestry and organ beyond. Arched-braced collar truss roofs to both, that to the S of 7 bays, that to the N of 9. The latter is the earlier, probably first-half C15, the former later, perhaps third-quarter C15; 2 tiers of double-cusped windbraces to each and both much restored (curiously in pine). Arcade of four 2-centred, continuously-chamfered arches, carried on octagonal piers. All re-tooled under Street, the piers are now narrower than the arcade, which tapers down curiously to meet them. Counter-changed red/black tiled pavements with stone flags to subsidiary areas. Simple pitch-pine Victorian pews and vertically-panelled oak dados, the latter in memory of J.W. Reynes (1939). Square Early English-style stone font with blind decorative occuli to each face and a base of compound piers; on a raised stone plinth. Similar pulpit of muscular Gothic conception; semi-octagonal with blind tracery windows inset to the front. Moulded cornice and base, the former with dogtooth moulding; supported on two squat, engaged columns. Great War memorial window to W end nave lancet and fine figurative stained glass to N aisle window; of 1907 and commemorating the Perrott family. Oak rood screen by Street; in early Perpendicular style and spanning both aisles. This has ogee entrances to N and S, good open tracery and a vertically-panelled dado, as before, copying the C15 original; modest canopy with brattishing above. Sections of the primary rood screen dado are incorporated in the dado of a similar screen dividing the chancel from the vestry space. Simple oak benching to raised chancel; dado as before, returned onto E wall where stepped-up and arcaded. Gothic reredos with conjoined blind quatrefoils flanking a central raised cross; all in alabaster and coloured marbles. Stepped-up sanctuary with simple encaustic tiles by William Godwin; plain oak altar rails with decorative cast iron balusters. Simple oak panelled organcase (1924) and window to vestry as before. Figurative glass to E and S choir windows (c.1870) with christological scenes.
In the porch, two relocated mural tablets: the first to William Owen of Pentregwyddel and his family (last date 1717); secondly to Elizabeth Vaughan (nee Conway), d.1671 and her rector husband, Thomas Vaughan, d. 1673. Pointed-arched, chamfered S entrance, re-tooled by Street, but of cyclopean character; boarded door with decorative C13-style ironwork.