Interior
Continuous nave and chancel, the former with 10-bay roof, a C19 restoration; simple braced collar trusses, closely-grouped and with stopped-chamfered purlins. C19 oak pews with simple scrolled pew-ends in two rows, flanking a central tiled pavement with alternating white, red and black tiles. Medieval octagonal font, retooled and altered in 1904; of pink local sandstone with shaft, chamfered base and plinth all octagonal. The oak font cover is C19, of open spire form, with brattishing, finials and punched trefoil decoration; surmounting Celtic cross finial. The chancel is stepped-up and retains its c1500 waggon-vaulted roof with original main members and ribbing, though C19 boarding. Blind tracery and billet-moulding to the main members, with vine-scroll decoration to the wall plate; C19 wooden corbels support the principals, with foliate and 'Green Man' carving.
The chancel is separated from the nave by a low screen extended upwards to the sides in the form of an open-work spere truss, presumably Baker's work; Perpendicular-style blind and pierced tracery in tiers. These trusses, in turn, support hammerbeams with crenellated brattishing and carved angel sculptures to each side. This arrangement frames the chancel and supports a pierced tracery gable facing inwards towards the nave section. The angel carvings hold shields bearing the inscriptions (in raised letters) 'Sanct Sanct Sanct' on the southern, and 'Aleluia Aleluia', on that to the N. The screen is a C19 dado-height confection incorporating original (c1500) pierced tracery panels within a C19 framework reproducing the mouldings of the original Rood screen. The southern section of the screen incorporates a semi-octagonal pulpit projection of similar style and again with re-used medieval screen panels, though with C19 uprights and brattished cornice.
Raised pavement to chancel and sanctuary, the latter twice stepped-up and both with polychromed encaustic tiles. Oak choirstalls, similarly in Perpendicular style and with finely-carved poppy-headed bench-ends. The front stalls (inner-most) also have reused blind and open tracery panels, similar to those on the screen. Low oak altar rails, the uprights formed of compound columns with moulded capitals and abaci; central opening with paired flanking arches. The second from the L is the original Rood screen arch re-used, the other 3 are C19 copies; Tudor arches with pierced tracery spandrels, cusping and a frieze with bent-feather decoration carved in shallow relief. Tripartite stone retable with central marble cross in relief, framed and with gilded rays emanating from it. Flanking framed panels with painted depictions of the Virgin and St John the Evangelist; these are in C13 linear style in quatrefoil roundels and with flanking stylised lily paintings.
Stained and painted glass: good E window with Crucifixion group in 3 lights, together with Old Testament Prophets in roundels flanking a central Virgin and Child to the lower tier. This in memory of the Rev. John Owen, d.1870. The chancel S window has a figurative 2-light window with ocular light above in memory of Elizabeth Owen, d.1891. C19 leaded lights to the nave windows with marginal glazing of coloured and rinceau quarries; decorative quarries to the chancel’s N window.
Monuments: Nave, N wall (W to E): Grecian-style memorial tablet to Elizabeth Owen of Fachlwyd, d.1838; of white marble, with pedimented top and simply-decorated cornice, set upon an outer tablet of grey figured marble. Next, a simple classical wall monument to Edward Owen of Ruthin, Esq., d.1823. This has a white marble inscription tablet with moulded cornice surmounted by a draped urn, carved in relief; pointed-arched background panel in black marble, with foliate sprigs below, and a dove above the tablet, both in white marble relief. Nave, S wall (W to E): a black slate tablet with arched top to Robert Hughes of Bryn Llwyd, d.1756, together with later members of the Hughes family (from 1763 to 1803). Secondly, a white marble tablet to Jane, daughter and heiress of John Wynne of Drws Byddel, Gent., d.1752. This has a winged putto head in relief above the tablet and a black marble frame with arched top. Next is a similar memorial in white and figured grey marble to John Owen of Fachlwyd Esq., d.1821 with carved angel above the tablet and a pedimented frame. The chancel N wall has a pedimented white and black marble memorial to Sophia and the Rev. Rees Williams, (Vicar of the parish), who died in 1896 and 1900 respectively; Great War memorial tablet in metal and wood to the S wall.