Interior
A complete and rich chapel interior of c.1870's. Rectangular in plan, with plastered walls and boarded ceiling in 4 bays, each bay divided by octagonal timber ribs and central ventilation medallions. A gallery extends round 3 sides, supported on 7 iron columns with reduced Composite capitals. Diagonally boarded draught lobbies around each entrance, and stair enclosures on each side for the gallery stairs. The gallery, containing 3 rows of raked pews and a wall bench, cuts diagonally across the corners. Symmetrical raised pulpit approached by steps on each side; timber arcading over panelling. Sêt-fawr and bench for elders in an enclosure in front, with the organ built in at the centre. The stained softwood pews are set on a raked floor in 3 banks, with further pews at each side in front. Stained glass of 1907 in the two large windows either side of the pulpit, Light of the World and the Good Shepherd, by A.L.Moore of London.
Wall monuments: a. White tablet with crowning urn on slate, by Wilkins of London, to Catherine Francis, d.1814, Robert Francis added. (b) Gabled white marble on slate, to Samuel Roberts, d.1885, John Roberts d.1884 and Richard Roberts (Gryffydd Rhisiart), d.1883, by Marshall of Shrewsbury; (c) Gabled white tablet on slate, by Spence of Liverpool, to Lewis Rees, d.1800, Richard Tibbot d.1798, and John Roberts, d.1834; (d) Tablet by Williams of Llanelly, to John Williams of Hendre, d.1877; and (e) Bronze on Carrara marble to John William Daniels.