Interior
The interior is restrained, but essentially unaltered. Tall nave with 4-bay arched-braced collar truss roof, the trusses carried on moulded stone corbels; there is bracing above the collar forming a pointed arch and a trefoil at each apex. Original, simply-decorated pine pews and central red tiled pavement with edging and insets in black and yellow. The font is in the form of a life-sized white marble sculpture of a winged angel kneeling and holding a scallop; by Theobald Stein, signed and dated 1864, after the original by his master Thorwaldsen. Early-English-style sandstone pulpit, of square plan and of 2 stages, with stiff-leafed carved frieze and grey figured marble columns applied to the corners. The shallow N transept contains a small vestry with cluster-truss roof and double-moulded, pointed-arched entrance; it is screened off from the nave by a 4-part boarded and panelled screen partition, with simple blind tracery arcade and stopped-chamfered stiles and rails, the entrance to bay 3. The corresponding S transept is occupied by an organ of 1902 by Peter Conacher and Co of Huddersfield, a commemorative gift by Sir Herbert Watkin Williams-Wynn; polychromed pipes.
Polygonal apse, raised up and approached via 3 steps; large chancel arch with hollow-chamfered, broach-stopped outer arch and chamfered inner arch, the latter supported half-hay up on fine, stiff-leafed carved capitals, themselves supported on engaged shafts resting on stiff-leafed corbels. Polychromed tiled floor, with simple brass altar rails on decorative scrolled and twisted supports. The apse is vaulted with a central carved, foliated boss and ribs carried on engaged corner shafts with capitals as before. The sanctuary is further stepped-up and has a complex patterned and polychromed tled floor and similar treatment to the dado walls flanking a tripartite reredos. The latter is of fine cosmati-work in 5 types of coloured marble inlay and has a central tondo of white marble, showing a Pieta in high, sculpted relief; Christ's inlaid monograms flank this and an inlaid marble cross surmounts it.
The apse and W windows have contemporary figurative stained glass, in C13 style, by Lavers and Barraud; the easternmost southern nave window is a commemorative, figurative window by Lavers, Barraud and Westlake, of 1876.